Every writer has a different process, a different way of creating, and every story is unique in the way it’s told. What all of them have in common are basic structure rules. In this post we’re going to explore four different types of plotting a story structure; it’s then up to you how you use them.
To develop any of these structures it’s important to remember to advance each scene so that the plot and/or character are moving in a forward momentum. You can do this by asking these questions of every scene and/or chapter: How? Who? What? Where? When? And Why? Some other things to consider are what is the Inciting Incident, what kick starts your story? Take a look at one of my earlier posts How to Plan Your Protagonists Journey, where I go into detail about stakes, conflict and their awakening moment.
The Three Act Structure.
The first act is the setup. It’s roughly a quarter of your novel and reveals the Protagonist in his usual setting, followed by the Inciting Incident, the catalyst that starts everything off and raises the stakes.
The second act is all about confrontation. Taking up fifty percent of your story, the protagonist faces obstacles that raise the tension, promotes the character to challenge himself and his beliefs, pushing them towards their goal. The obstacles will continue to build up until the Climax of Act Two.
The final act is all about resolution. The last quarter of the story will contain the Final Climax. Then the action will begin to descend, obstacles will be overcome leading to the Denouement.
The Hero’s Journey.
Through this method also known as, the monomyth, the writer plots the protagonist’s path through nine stages, starting in their homeland, venturing out with guidance, facing difficulties, until they win a victory and return home. In this method, the writer employs The Full Circle Ending, which we covered in last weeks post: Six Superb Ways to End a Novel
Introduction to the hero’s world
Call to action
Crossing the threshold
Meet the Mentor
First challenge
Temptation
Dark inner moment
Final battle
Return home
The Mirror Structure.
This method divides the story in two, the first half consists ever increasing obstacles for the protagonist. And the second half revisits them in reverse order, bringing resolution to the conflicts. Ultimately ending, once again, back where the protagonist originally started.
The complexity of this divide is left entirely up to the writer. Do they set each problem in a different setting, or with a different antagonist for a dramatic flare? Or keep it subtle, only working the conflict and resolutions?
The Goal to Decision Cycle.
This method can either be used to develop your character arc, or it can be applied to the plotting process. It’s a flexible way to create structure.
Part 1: The cycle begins.
At the beginning of a scene, your character will have a goal they want to achieve.
The conflict will be introduced as an obstacle preventing your character from achieving their goal. Thus they will be faced with an opportunity to grow and develop or they’ll be called to an action.
The outcome will, unfortunately, result in failure. Disaster strikes despite their best efforts.
Part 2: Leading to reaction/ lessons.
The character reacts emotionally, promoting personal growth.
The dilemma is based on what action they should take next. They’ve learned from their failures and they grasp the opportunity to do better next time.
Once they’ve made a decision, the character is then provided with either a new goal or takes new steps in order to achieve their goal.
This whole cycle then starts again, over and over, until the character has arrived at the end of their story.
Some writers outline every detail of their novel: The Plotters. Others take a concept and begin moulding the story as it grows around the lives of their characters: The Pansters. And finally, there are the type of writers who like to take the middle road, roughly sketching a structure and leaving the rest to their imagination: The Plansters.
Which type of writer are you? And what methods do you use to structure your novels? Please share your comments, you know I love hearing from you.
Thanks for stopping by. Until next time, Much Love.
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© Author Lorraine Ambers and http://www.lorraineambers.com, 2019.
All good points. A good book for developing plot is 20 Master Plots by Ronald B. Tobias – in that one he does seem to prefer the three act structure for various plots he describes.
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Thanks for the recommendation .
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You’re welcome!
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I love “The Hero’s Journey”, which I used in several short stories I wrote.
However, I feel that I need to try other things to improve my writing.
Thanks for pointing out the other possible ways!
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Try out different techniques is half the fun of writing. 😊
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When I’ve read through the examples and read them a few times through, I’ve realized each of the three books-to-be are resembling a different case of the four you’ve mentioned (though not to the point).
As for my approach, I had some basic idea for the storyline, though increasingly fuzzy down the road, and went along with it to see the story unfold, as if it was leading me along instead of me creating it. I only took control in later drafts to change what was not working.
Thus, I can’t say I’ve intentionally used a specific structure but it’ll always resemble one more than the others.
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To be honest, that how I’ve done things in the past. It can be instinctive, because we read and watch tv show, so the structure is evident and we learn that way.
Thanks for commenting. 😊
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I think I’m a three-act pantser!
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I’ve always held the ‘three acts’ in mind when I’m planstering.
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Reblogged this on Chris The Story Reading Ape's Blog.
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Thank you 🙏
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Thank YOU for the great article, Lorraine 👍😃
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Have only written one story in my life. I fall under plotters. Full plot in the format of hero’s journey. Very detailed and long… Exactly as I like it.
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I admire those who write such detailed plans. 💙
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Thanks so much for this awesome post, Rainy! I tend to use the three act structure, but some of these other methods sound fab and I’m looking forward to using them for future projects. ❤ You explained them perfectly, and it was really interesting to read. ❤ xx
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Thanks so much for this awesome post, Rainy! I tend to use the three act structure, but some of these other methods sound fab and I’m looking forward to using them for future projects. ❤ You explained them perfectly, and it was really interesting to read. ❤ xx
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Glad you like the other methods, thanks for commenting.
I must admit each one deserves a post all of its own, there’s so much to learn and discover.
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Yes, the hero’s journey is the bread and butter of all great stories. Long fantasy epics are challenging to do though.
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You make a great point, but then writing epic fantasies are a challenge in themselves.
It’s all part of the fun!
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Reblogged this on Ethereal Seals: Dragonsoul and commented:
Building a world for your protagonist is no easy task; this is especially the case in high fantasy genres, where the author creates a realm from the ground up. Maintaining that world in a long fantasy epic is even tougher, but some guidelines can significantly help you with the process.
Here’s an article from a fellow blogger. She talks about developing the Hero’s Journey and how it relates to your protagonist. Give it a look. Cheers.
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Thanks for sharing
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I’ve used the Heroine variation of the Hero’s Journey recently, although my writing as a teenager in the late 1960s was influenced by Joseph Campbell. My current WIPs are all three act-structured.
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I like how you’ve tried different structures, it makes sense that each story requires it’s own variation.
Thanks for commenting
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Excellent post, Rainy. Total Pantser here 🙋🏻♀️. I’ve never heard of The Mirror Structure before but your explanation made me want to try it.
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I came across it during my research for the post and felt the same way. It has so many possibilities.
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It does. Maybe I need to convert to being a Plantser and plot something out with that structure in mind? 🤔
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Yesss! Give it a go and then tell me all about it. 😁
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😄
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Total Pantser. Every novel I’ve plotted, and there are several of them, I’ve never finished writing. Not sure what that says about me…
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Clearly that doesn’t work for you, your creative needs no boundaries. 😊
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Great insightful advice, Lorraine! Very interesting to learn new ways of structuring a novel. Didn’t realise I tend to gravitate towards the Three Act approach 🙂
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It’s amazing how we instinctively develop a structure. 😊
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Thanks for reposting 🙏💙
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Thanks for reposting 💙
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