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Writing the Perfect Pitch

I’ve been practicing my pitches for years in a variety of ways. From the twitter contests where pitches need to be condensed into 280 characters. To crafting elevator pitches or Loglines (the one line introduction that sums up the whole story). And of course the dazzling pitch that introduces the main character, conflict and stakes. All in a bid to hook that illusive agent or publisher’s attention, making them want to read more of your novel.

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I can tell you, it doesn’t get any easier. I still dread the question ‘what’s your book about?’ As writers we flounder and babble. We practice loglines in the mirror, and recite them while driving the car or doing laundry. Yet we always forget when the time comes to explain our work. Thankfully, written pitches can be drafted, edited and polished until they shine.

I think in times of crisis it’s the artists responsibility to dig a little deeper.

~ Bruce Pavitt.

One of the blessings that come from years of experience, is that I’m always learning new tips and tricks. And the latest come from working with the talented, enthusiastic and genuinely lovely editor Jeni Chappelle. I’d reached the point in my writing where I needed professional feedback to help me grow. And I can honestly say, Jeni has helped raise my game.

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And because I love my fellow creatives, I’m more than happy to share all I’ve gleaned with you. So, here is the format for creating the perfect pitch.

Paragraph 1: Introduce your Main Character. Set the story by revealing what they want (goal) before they embark on their journey, connecting to their deepest emotional wound. Remember to show what is standing in their way, both internally and externally?

Paragraph 2: Introduce the main conflict. Reveal how it affects them, and what drives them to get involved.

Paragraph 3: Show how the stakes are raised as the story progresses. Reveal 2-3 specific obstacles they will have to overcome to resolve the main conflict. End with an impossible dilemma, often phrased something like… They must choose to: (internal or external conflict) before: (raise the stakes and/or show consequences).

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Each paragraphs should be 100ish words each. If you’re showing both POVs in a query, (for example, in romance genre) then usually a dual POV query would include a full paragraph about each character (about 100 words each, give or take) and then a third paragraph showing how their individual stories tie together. Note: writing the pitch from the POV of the character first introduced in your MS, otherwise agents and editors will be confused and put off.

And there you have it, the perfect combination of character, conflict and stakes. Easy… right? Don’t worry if your struggling to perfect your pitch, you’re not alone. Besides, practice makes perfect. Do you have any tips to share? Or are you currently struggling with your pitch?

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Don’t forget to leave a comment and share your thoughts. You know I love hearing from you.

Thanks for stopping by, until next time, Much Love.

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© Author Lorraine Ambers and http://www.lorraineambers.com, 2020.


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8 Twitter Tips for Writers

Building a platform and navigating the many different social medias can be a daunting task. It can seem a step too far, especially when we’re still struggling to write our novel. But fear not, for I’m here to share my top eight tips for using twitter.

It’s important to remember you’re presenting yourself as a brand. Every interaction on the internet should be tailored towards catching your target audience and strengthening your business – you… as an author.

  1. Load a profile and background image, then add a few sentences to describe yourself. Remember to utilize your Bio by including key words relevant to you. I’ve used #writer #fantasywriter and #amquerying. It helps likeminded individuals find you. Want inspiration? Check out your fellow writers and see what catches your eye.
  2. Every social media has a different way of conversing. Twitter does this by short, punchy statements. Using just 280 characters to convey your meaning. Twitter is fast moving so mistakes can be made. But that’s ok, your creative friends will forgive and forget. So dive in and have fun.
  3. Picture’s and Gif’s are a great way to draw attention, so get creative. Warning about copyright, please make sure you have the right to use the images.
  4. Use hashtags as a way to connect with likeminded individual. Some of my favorites are #amwriting #writing and #writingcommunity. Play around with them and pay attention to what other writers use.
  5. Remember your manners and don’t spam. The fastest way to be unfollowed is by only plugging your own, or others, work. I tend to unfollow writers that have feeds full of promotional content – the hard sell doesn’t work! Instead, I like to mix it up by asking questions, interacting and little updates about my writing journey. Take a look at my profile: https://twitter.com/lorraineambers
  6. People tend to converse through the newsfeed and ignore DM’s (Direct Messages) because the majority of messages are spam. If you want to chat, be brave and tweet them directly by adding there @name. Try me, I’ll be happy to reply. @LorraineAmbers
  7. Twitter is a great place for getting involved in competitions like #PitRev and #PitMad. During them writers accept the challenge of pitching their novel in one Tweet. It’s great practice and an easy way of making connections with your fellow writers.
  8. If you have a great Tweet, maybe a pitch or a link to your website or blog, Pin It to the top of your newsfeed. That way, whenever someone new visits your page they can instantly see that post. They might just interact with it by Liking your Tweet or even visiting your blog. After all, isn’t that the whole point of being on social media.

There we have it, my top 8 tips for twitter. Do you have any tips to share?

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Don’t forget to leave a comment and share your thoughts. You know I love hearing from you.

Thanks for stopping by, until next time, Much Love.

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© Author Lorraine Ambers and http://www.lorraineambers.com, 2020.
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How to Write in ‘Deep’ Third-Person Point Of View

There are subtle differences between Omniscient Narrator, third-person and Deep third-person point of view (POV). But if they’re so subtle how can we know which one our writing falls into? It will affect word choice, and influence the readers’ perception of your characters. Well, read on to find some tips on how to polish your manuscript and make sure you’re using the preferred style for your work.

Not familiar with the different terms. Don’t worry, you’re not alone, I’ll run you through them.

Omniscient Narrator

The writer’s style and voice is reflected throughout the story, telling the story from a narrators perspective by identifying the characters by name. The characters, and their world is shown from a stepped-back perspective. Unfortunately, it can prevent readers from gaining intimacy with your characters, which is something we strive to gain, especially in Young Adult novels. The omniscient narrator doesn’t tell the story from an particular character, but reveals the story from an unbiased perspective and shows it to the reader.

Third-person POV

Writing in third-person is intended to make the story personal, dragging the reader into the story. Thus allowing them to view the world through the characters eyes. The story is shown from either one character’s POV or multiple POV’s and will be shown by using the characters name, and him/ he or she/her.

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A few months ago I had editorial feedback on my second novel Mischief and Mayhem, and one of the criticisms was that my writing bordered on Omniscient Narrator. Why? Because the third-person POV wasn’t deep enough. What? Impossible! I’d done my homework and developed my writing with the one goal of achieving a deeper perspective. I wanted my readers to intimately feel everything my characters experienced.

So what was I doing wrong? Well, I discovered a few simple revisions that can strengthen your work to gain a deeper perspective. And I’m super proud to say I’ve achieved it! The second critique I received was a glowing review of my submission package, with only ONE critique. (Too much exposition in the first chapter. – It’s a fine line line, my creative friends, as the first time there wasn’t enough.)

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How to gain a deeper perspective using third-person POV?

Don’t overuse the character’s name. It prevents the reader from getting inside the characters perspective, giving the illusion of watching the characters actions. Instead, use the pronouns him/he or she/her.

Remove filler words, such as; seemed, knew, wondered, sensed and felt. Again they prevent the reader from becoming immersed in the characters world. They hold the reader back, giving an Omniscient Narrator style of writing. By removing them you will not only strengthen the show don’t tell, but you’ll allow the reader to drop into the characters perspective.

Most importantly develop the character’s Voice, making sure each character has their own unique and identifiable voice which is different from yours as the writer. For a more in depth look and further tips I strongly recommend reading – Voice. The secret power of writing by James Scott Bell.

Best of luck with your revisions. And as always Happy Writing my creative friends.

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Don’t forget to leave a comment and share your thoughts. You know I love hearing from you.

Thanks for stopping by, until next time, Much Love.

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© Author Lorraine Ambers and http://www.lorraineambers.com, 2020.

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Be Creative and Dream Big!

Welcome fellow creators! This week I’ve had the honor posting over on Thoughtful Minds United. I want to say a massive thanks to fellow blogger Fairen for the opportunity. It’s always a pleasure too work with this amazing community.

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Do you dream of taking your passion and creating a new future, but something holds you back? You’re not alone. And yes, it is possible… Read on to be inspired, and hopefully, by the end of the post you’ll have the motivation to finally get started. So pop on over to Thoughtful Minds United and check out the post.

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My name is Lorraine Ambers and I write Adult Fantasy novels with dark, gritty characters, romantic liaisons and a dash of adventure. Let’s connect! Tell me, what your aspiration is? What fear holds you back? And how do you plan to over come them? Share your passions with me, you know I love hearing from you.

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© Author Lorraine Ambers and http://www.lorraineambers.com, 2020.
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Is the Pandemic Blocking Your Writing?

Hello, and welcome my fellow creatives. I thought I’d talk a little bit about productivity, writers block, burnout and of course self care. Mostly because that is what’s coming up for me this week.

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We’re five-ish months into this pandemic, finding ourselves in varying stages of Lockdown. Stepping outside the front door, we find ourselves in a very different world. Full of alcohol laced hand-gel, masks and public distancing. Here in Wales, coming out of Lockdown has been painfully slow compared to the rest of the UK, and I’m glad for it. We currently have low case numbers, which is good, considering school starts soon.

While the world has capitulated under the demand of the virus, I’ve kept my head down and worked, worked, worked. It has been my coping mechanism. However, I’m reaching the end of that wave, and burnout is on the horizon. In the past, I’ve charged into the fray, pen scribbling, fingers tapping, eyes blurring as I’ve written to the bitter end. Not helpful!

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This time I’ve taken a pause. A whole week off of writing to procrastinate. To read a little, play mouse trap, watch the finale of Star Wars and prepare for the next phase of my journey. And so I’d like to share some of my good news... I’ve been accepted to begin training as a Transactional Analysis psychotherapist, shifting from being a client into the role of trainee. This next year is going to be full of introspection, growth, and challenges.

Don’t panic fellow writers, I still aspire to be traditionally published, to get an agent, but it would appear a fork in the road has opened up for me. As exciting as this is, I’m also truthfully a little terrified of the unknown. My inner-world is echoing the state of the world at the moment. It’s no wonder my writing flow has faltered.

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It would seem we’re all being asked to sit with the unfamiliar. To tread the line between staying safe, and not allowing our fears to overwhelm us. My life has become Groundhog Day: a never ending treadmill with no destination. And yet everything is constantly changing.

So, while burnout and writers block lurk in the background, I’m taking a break. Refueling, visiting family (at long last), and refilling my empty cup. Productivity can wait a few days. I’ll leave you with a quote that truly resonated with me this week:

For a while I was looking for a person but I didn’t find them and after that I was looking for myself. Now that I have found me I’m back to exploring, which is what I was doing in the first place before I was doing anything else and I think I was supposed to be exploring along.

The Starless Sea by Erin Morgenstern.
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What are your fears at the moment? And how do you soothing them? We’re all on this crazy journey together, so please share your story with me. You know I love hearing from you.

Thanks for stopping by. until next time, Much Love.

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© Author Lorraine Ambers and http://www.lorraineambers.com, 2020.
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Why Rejection is Important to Writers

Writers need to deal with rejection. The industry we work in is subjective and competitive. Striving for greatness comes at a cost, usually to our pride. Recognition and validation is important for everyone. Unfortunately artists tend to get the least amount, unless you’ve made it to the top. I haven’t. I’m still way down in the trenches, striving for that elusive goal of being appreciated for my craft.

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Whilst querying my first novel, I set my expectations too high, believing I would be one of the favored few who would be snapped up instantly. I WAS WRONG. Back then, my writing was the best I could achieve. So I sent my book-baby off and fed all of my excited/ anxious energy into creating the second in the series. Four months later, that driving force of anticipation had manifested into book two of The Shadow Knight Series. Amazing.

When all of the queries came back with a polite ‘Not what we’re looking for.’ or ‘We don’t think your material is the right fit for us.’ I took a look at my submission package.

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I was surprised to find my writing had improved. I cringed at my old material. The rejections morphed with my inner critical voice and attacked. We’ve all been there… and it’s brutal. Rejection hurts. We get stressed out, upset and frustrated. But that’s a useful tool.

This is where rejection can actually be useful. The driving force behind the hurt and disappointment allows us to re-evaluate and try again.

Remember: Successful people have made it because they didn’t give up.

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Fear not, with the right mind-set and some initiative and introspect we can turn things around. By taking control of the situation, we can turn that negativity into something positive. Next time we’ll do better, or learn to be better. This isn’t the end of the road, it’s a bump in the path.

To paraphrase Samuel Beckett: fail again, fail better.

Since then I’ve revised, edited and written new material. I’m confident that at this moment in time I have done my best. Who knows, maybe after revising my next manuscript, I’ll realize that I’ve grown some more. And that can only be a good thing.

Keep going. Have faith and above all else believe in yourself.

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Have you learnt any valuable lessons from rejection? If so, tell me about them. We’re all in this together and I’d love to hear from you.

Thanks for stopping by, until next time, Much Love.

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© Author Lorraine Ambers and http://www.lorraineambers.com, 2020.
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Writing tip – How to Foreshadow

The art of foreshadowing is subtle, and yet it’s also a craft that will add depth to your story. Foreshadowing can create atmosphere and cohesion between different parts of your story, by setting up the oncoming events to build expectation and keep your readers invested in the story. Though it is a vital aspect of story crafting, writers may struggle with using it to its full advantage.

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What is foreshadowing?

Foreshadowing prepares the reader, if only subconsciously, for what is to unravel in the story later. It is not out-rightly revealing. The difference is subtlety. Its about hinting, laying bread-crumbs to guide the reader towards the outcome. That way, your readers still gains the element of surprise, but they don’t feel cheated.

One of the most important places to add foreshadowing is undoubtedly the first chapter. Here you should use foreshadowing to ease the transition between the setup and big plot points. It sets the tone for the rest of the novel, and adds clues as to what’s about to transpire. Whether your world has magic, death, or romance. A single sentence, the setting or perhaps even a symbol, will deliberately create dimension within the story.

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This is important for two reasons: Firstly, to satisfy the reader with the payoff by delivering on earlier promises. Meaning, anything set up in Act One, should come about in the Final Act. And secondly, to lead the reader to conclusions about the rest of the story. Meaning, if you introduce two main characters for romance, make sure you deliver on their Happy Ever After or Happy For Now sending.

Remember: its a subtle hint, not an outright telling. You can hint at the theme, reveal the tone of the story through setting, or even have it mentioned through dialogue. For example: If your heroine is about to set off an an epic adventure, having a side character hint at their Character arc, is a clever way of feeding the reader information, without being too overt.

All foreshadowing needs the payoff or promise delivery. So only include pieces that are relevant, and significant to prevent the reader from feeling confused or cheated out of a story line. Foreshadowing prevents coincidental reveals, a sudden or unexpected shift in tone, and outlandish plot twists.

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Any subplots can be delicately foreshadowed in later chapters. These can be hidden in the story (slightly invisible and almost forgettable), so that the reader won’t even pick up on them. These are indirect foreshadowing, such as symbols, or a banal statement, and are usually only realized once the promise has been fulfilled.

Foreshadowing is a skill and usually takes time to understand, and or develop in your writing. Often foreshadowing is added into the story at the revision stage. Once you’ve written the whole story, you can better understand what influences the direction of your story and where to place the hints, and promises, to prevent coincidences. Carefully, precisely and artfully, layering the foreshadowing to give the reader cohesion and satisfaction.

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Do you have any tips on foreshadowing? Perhaps you are still developing the skill in your writing and would like to understand the topic more. Please share your thoughts, you know I love hearing from you.

Thanks for stopping by, until next time, Much Love.

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© Author Lorraine Ambers and http://www.lorraineambers.com, 2020.
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A Writer’s Journey to Publishing

Sometimes it’s good to look back and establish how far we’ve come. To self evaluate our journey and see what we’ve learnt along the way. While some of you may be published, I am still working my way towards that goal. As are many of my Critique Partners. It’s important to know, that no matter where you are on the path, it is not the end goal that counts, its the lessons along the way.

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I heard a great mantra today: “Look how far you’ve come and not how far you have to go.” It put my writing journey into perspective. I’ve been writing seriously for the last five years. And in that time, I’ve made some wonderful writing friends through the blogging community. Working with them, I’ve watched their writing strengthen and flourish. And of course, they’ve helped me grow too.

Most of us have family and work commitments that need to be juggled alongside our writing. It’s no easy task, working on a dream that has yet to materialize. And yet we do it because it is our passion. Writing is in our blood. We see the world through a different filter. It’s in our essence to keep creating and to devour books in a bid to learn more, feel more, escape… just that little bit more.

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This year I drafted my fourth novel, rewrote my second novel ready for querying, and I’m about to start the next round of edits on my third. No project is ever complete, and no manuscript is ever really wasted. So don’t give up. Keep pursuing that goal, keeping dreaming the big dream and follow your heart.

Many of you may know K. M. Allan who released her debut novel Blackbirch: the beginning, and recently release the second in the series, Blackbirch: the Dark Half. I’ve had the pleasure of working with Kate and seeing her journey flourish. She works with dedication to bring her dream to life. She’s an inspiration, keeping me anchored to my own aspirations.

Whatever stage you’re at; drafting, editing, querying or publishing, the journey never stops. We keep climbing steps, overcoming hurdles and plowing ahead. Sometimes its good to stop. To appreciate how far you’ve come.

So take a look at your own journey, and remember to congratulate yourself on your hard work. You deserve it. You’ve created wonderful things with nothing more than hope and dedication.

Where are you on your journey? And what are you most proud of accomplishing. Please share your accomplishments with me… you know I love hearing from you.

Thanks for stopping by, until next time, Much Love.

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© Author Lorraine Ambers and http://www.lorraineambers.com, 2020.
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How to Craft Catchy Dialogue

Writing dialogue is an effective way to show the reader what’s happening in your story. But get it wrong and you risk loosing the readers interest. In a previous post I showed the Do’s and Don’t of writing dialogue – check it out if you haven’t already. Today I thought it would be helpful to go over some fundamental pointers in how to get your characters to show the world you’ve created through dialogue.

Tip 1 – Write as often as you can, read vicariously and listen intently. People listening is the best way to grasp dialogue. Take note when watching you favorite TV show, and see how each character is portrayed through the words they speak. People/ characters talk differently, so listen in and take pointers. Some are blunt and stoic, some blunder and waffle, while others wend beautiful, lyrical tales. Remember: be aware of whats being said, and equally what’s not being said.

Tip 2 – Don’t forget to add body language. Not only will this bring your character and the scene to life, but subtle body movements add depth to what’s being said. An easy smile changes a casual, ‘hello and welcome’ into a warm and generous greeting. Whereas, a pinched brow and clipped tone add a different meaning. Perhaps this character feels obligated to welcome someone, or maybe they’re in a bad mood.

Tip 3 – People often don’t say what they’re thinking or feeling, so layer up the context with internal dialogue. It’s a great way to show conflict and build tension. Mary pasted on a fake smile, and opened the door. “Hello and welcome.” God, she despised this woman. And yet her role as manager forced her to be polite, when what she really wanted was to slam the door in her face.

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Tip 4 – Use contractions. Don’t be afraid to shorten or combine words, to help the character sound as natural as possible. While a professor may use precise wording, a student will often use contractions. For example: Let’s, I’m, who’s and they’re.

Tip 5 – Cut unnecessary words. In real life we tend to stutter, flounder, and add filler noises like umm, well, basically, so, hey, hi, good day and how are you? Such words when used in dialogue slow the pace and become boring. Readers don’t need constant polite introductions or goodbyes, they want dialogue that keeps the momentum of the story going. Remember – that’s not to say never use such words, just be conscious not to fill your dialogue with them.

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Tip 6 – Dialogue must serve a purpose to advance the story. The whole point of writing dialogue is to show the reader things that progress the plot, build characters, show backstory and/ or entertain. It doesn’t drone on just for the sake of having characters converse. Keep everything succinct to the story and integral to the characters.

Tip 7 – Read your dialogue out loud. Make sure it sounds realistic, and then make sure it sounds like your character. Each character will have their own distinct voice. Your character may have an individual turn of phrase, or often call people buddy. These things can really help to differentiate them within your story.

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Do you have any tips on how to write great dialogue? Or perhaps you have a great line that you’d like to share from your current WIP. If so, please share it, you know I love hearing from you.

Thanks for stopping by, until next time, Much Love.

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© Author Lorraine Ambers and http://www.lorraineambers.com, 2020.
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3 Fun Exercises to Help You Create Irresistible Characters

I would like to introduce you to Desiree Villena. A writer with Reedsy, a marketplace that connects authors with the world’s best publishing resources and professionals. In her spare time, Desiree enjoys reading contemporary fiction, writing short stories, and giving (mostly) solicited advice to her fellow writers. You can check out Reedsy at Twitter / Instagram.

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There are two crucial pillars that hold up a good novel: first, there must be a compelling plot, and second, there must be nuanced characters who undergo this journey. Plot goes hand-in-hand with the central conflict and its resolution, so these elements are often intertwined!

Of course, not every story requires an examination of the deepest crevices of a character’s soul — but the complex layers of a protagonist often still bubble to the surface, even when they’re not explicitly explored. Just as a charismatic and thoughtful person charms others, well-developed characters are irresistible to readers, literary agents, and publishers alike.

So how can you craft characters who will feel believable, evoke sympathy, and rope your readers in? There’s no one single way to achieve this, but the three exercises I’ll be sharing with you below can get you thinking about the many facets of a round character.

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1. Let your protagonist win the lottery

This is a common thought experiment when thinking about the question: “What do you want to do with your life?” Before we get distracted by questioning our own raison d’être, let’s consider  how this exercise works.

Assume the prize for hitting the jackpot is hefty — so big that physiological security is no longer a remote  concern for your character. Without having to worry about survival, what would your character do with their money and, more importantly, their time?

What they choose to do has profound implications for their personality, their aspirations, and their skills. If your character decides to use that money to open a pottery shop, they must be somewhat entrepreneurial and industrious. They might be passionate about pottery, or they’re perhaps less aware of social issies than wider society, considering the fact that they didn’t choose to funnel their resources to a charitable cause. This exercise might also flag up certain areas of specialty you have to research, if you want it included in the story.

The decision of how to use this prize also opens up options regarding their interests and background, e.g. whether they’ve studied this art before, or if it was part of their family history or business. In any case, it’s fun to imagine this kind of scenario, since there are so many possibilities available.

You can frame this writing exercise as an interview of the character by a news outlet, or a conversation the character has with a close friend, outlining their plan. And of course, not every story setting has a lottery, so you can tweak the prompt to suit your needs (maybe your character unknowingly dug up a pot of gold) — just to make it feel more realistic, even if you don’t end up including their “lottery plan” in your actual story.

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2. Trap them somewhere alone

In a modern setting, your protagonist might get trapped in a broken elevator — or, if you really want to push your character to the limit, perhaps a crashing plane. In a sci-fi setting, the place could be a lonely and malfunctioning spacecraft (think The Martian). In a medieval setting, it could be a random sinkhole in the middle of an empty forest.

What you want to do in this scenario is the reverse of exercise #1: you want to remove practically all possibilities from your character and see how they react. Are they angry, or are they anxious? Is your character debilitated by the seriousness of the circumstances, or is their brain whirring, trying to find a solution? If they’re working on a course of action, what skills do they have to come up with and realize this plan?

Even if they’re not being uncannily resourceful and clear-headed, you can delve into what’s going on in your protagonist’s mind. Who and what are they thinking of, now that they’re coming dangerously close to death? Are there any regrets? Do they have certain memories that make this situation especially traumatic, or escape more difficult?

If you’re up for a challenge, try weaving in the emotional or psychological entrapments your character feels into your story. Let the physical space be a metaphor for the obstacles your character faces in life. This way you can explore both the mannerisms and inner thoughts of your protagonist, and the internal struggle that builds onto the central conflict of your story.

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3. Create a social media account for your character

Now I know this doesn’t make logical sense in every scenario — 15th-century knights don’t usually stop on their way to battle to post a quick Instagram story — but it’s an entertaining exercise to develop the social life and behaviors of your protagonist. And of course, you don’t have to actually create an account on Facebook or Twitter; just describing it will suffice.

What can you include in this description? Well, anything, really. Is this account used to keep in touch with close friends, or is it for a practical purpose like book marketing? (Meta!) How many friends or followers do they have? Does your character interact a lot, and what kind of content do they share?

Indeed, just by picking a social media platform, you’ve already determined some things about the character. If it’s Facebook, your protagonist might be the eloquent and argumentative type — as opposed to Twitter, where the character limit means Tweets are more concise and oftentimes quippier.

Feel free to experiment with the tone as well. Though this prompt probably gets you thinking about a contemporary setting, if your character’s from another era, you can definitely use the appropriate vocabulary and language style. (You might know of fanfiction social media accounts where the fans roleplay as book characters on Twitter — this is somewhat similar to that.) Here’s your chance to work on the voice of your character.

And that’s the nice thing about exercises like these: they don’t just make you ponder all the details you’d normally include in a character profile, they also let you experiment with your portrayal of your characters in a fun and creative way. Hopefully these exercises give you some inspiration for writing characters who are hard to forget!

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I want to say a massive thank you to Desiree. I’m sure you’ll agree she writes excellent post and that Reedsy is a valuable writing resource. I know I’ll be checking out their posts. Once again, You can follow Reedsy at Twitter / Instagram.

Thanks for stopping by, until next time, Much Love.

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© Author Lorraine Ambers and http://www.lorraineambers.com, 2020.