I’ve been practicing my pitches for years in a variety of ways. From the twitter contests where pitches need to be condensed into 280 characters. To crafting elevator pitches or Loglines (the one line introduction that sums up the whole story). And of course the dazzling pitch that introduces the main character, conflict and stakes. All in a bid to hook that illusive agent or publisher’s attention, making them want to read more of your novel.
I can tell you, it doesn’t get any easier. I still dread the question ‘what’s your book about?’ As writers we flounder and babble. We practice loglines in the mirror, and recite them while driving the car or doing laundry. Yet we always forget when the time comes to explain our work. Thankfully, written pitches can be drafted, edited and polished until they shine.
I think in times of crisis it’s the artists responsibility to dig a little deeper.~ Bruce Pavitt.
One of the blessings that come from years of experience, is that I’m always learning new tips and tricks. And the latest come from working with the talented, enthusiastic and genuinely lovely editor Jeni Chappelle. I’d reached the point in my writing where I needed professional feedback to help me grow. And I can honestly say, Jeni has helped raise my game.
And because I love my fellow creatives, I’m more than happy to share all I’ve gleaned with you. So, here is the format for creating the perfect pitch.
Paragraph 1: Introduce your Main Character. Set the story by revealing what they want (goal) before they embark on their journey, connecting to their deepest emotional wound. Remember to show what is standing in their way, both internally and externally?
Paragraph 2: Introduce the main conflict. Reveal how it affects them, and what drives them to get involved.
Paragraph 3: Show how the stakes are raised as the story progresses. Reveal 2-3 specific obstacles they will have to overcome to resolve the main conflict. End with an impossible dilemma, often phrased something like… They must choose to: (internal or external conflict) before: (raise the stakes and/or show consequences).
Each paragraphs should be 100ish words each. If you’re showing both POVs in a query, (for example, in romance genre) then usually a dual POV query would include a full paragraph about each character (about 100 words each, give or take) and then a third paragraph showing how their individual stories tie together. Note: writing the pitch from the POV of the character first introduced in your MS, otherwise agents and editors will be confused and put off.
And there you have it, the perfect combination of character, conflict and stakes. Easy… right? Don’t worry if your struggling to perfect your pitch, you’re not alone. Besides, practice makes perfect. Do you have any tips to share? Or are you currently struggling with your pitch?
Don’t forget to leave a comment and share your thoughts. You know I love hearing from you.
Thanks for stopping by, until next time, Much Love.