paper pen writing novel author fantasy Lorraine Ambers

Discovering my story’s premise

Every story has a beating heat. And though every story has been written before, it has not been written by you. Therefore, each story takes on a unique premise. Now I’ve hear this a million times, but honestly I’ve only just grasped the concept. The importance of hooking readers with the premise, by either immediately revealing it or by sowing the seeds throughout the opening pages. Allowing the premises butterfly effect to ripple through your story.

If you like, it’s the first building block of your story. I thought I knew my story. I thought I’d nailed my hook. I was wrong.

YA fantasy romance Author Lorraine Ambers Desk

If you’re struggling to identify your premise, then read this great post on: How to Find Exactly the Right Story Hook by Helping Writers Become Authors. It’s written eloquently with great examples. Honestly K.M Weiland is my go to bible for writing tips.

I didn’t know this until I sent my submission package to a literary agent to be critiqued. A service Writers & Artists provide. I’d come to a dead end with my first MS. It has been rejected by 30 agents with no feedback. It was either shelve it and focus on my second novel, or give it one last attempt. And I’m not a quitter.

Debut Novel NA fantasy Author Lorraine Ambers Beta Reader

So I took a bold move and opened myself up to feedback from Sallyanne Sweeney from MMB Creative. She taught me a valuable lesson about the first few chapters. I hadn’t introduced the premise. I hadn’t introduced my hook. Therefore, I hadn’t rewarded my readers with the foreshadowed inciting moment. Which also came in too late, chapters 4 and 5. Huge mistake!

I had opened with a fast paced scene believing that was the premise. Wrong. It was simply the first domino effect of my story. Then my story floundered to world build, without teasing the reader with my premise. Therefore the story lacked enough tension to drive the plot forward to the all-important inciting moment. The protagonists call to adventure.

Now, I knew what was coming… but my readers had no clue…. worse still, they might have given up and put the book down.

Once I discovered my premise, the revisions came easily. And now the antagonist, the conflict and goal are easily identified within the first few paragraphs. And my story is much stronger for it.

Thanks for reading and best of luck with your WIP. Remember, failure is proof that you’re trying. Don’t ever be afraid to grow and learn. 🙂

Author Lorraine Ambers - YA fantasy romance writer

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© Author Lorraine Ambers and http://www.lorraineambers.com, 2018.

 

 

YA fantasy romance Author Lorraine Ambers Desk Beta Readers

Working with Beta Readers

Getting our writing critiqued is a vital learning process for writers. Through feedback, authors can mould their novel into a piece of work that’s coherent and has marketable appeal. Beta Reader’s response can help to judge which part of your book will work for your audience and those that may not.

I’ve wanted a Beta Reader for quite some time, but had no idea of how to go about it. Can we rely on our family and friends to be honest? Probably not, I tend to sugar coat things for those I care about.

How do we find Beta Readers?

Blogger Ari Meghlem recently asked this question on Facebook. Reaching out on social media is a great way of finding Beta Readers. It’s daunting. It requires bravery and a little common sense.

Finding the right reader is a vital first step. There’s no point in asking someone to read your genre if they don’t like it. Their feedback will be less than helpful. Ask questions and build a relationship. Your ideal reader should be similar to your target audience.

Debut Novel NA fantasy Author Lorraine Ambers Beta Reader

Here are my 3 tips for working with your Beta Reader.

 

Give Guidance

Develop a list of questions that you’d like answered. These might be about plot, pacing, strength of character, or the organisation of the stories concept. Your checklist should meet the specific needs of each book you write. As a great starting point for question inspiration, go check out some of my ideas on these Pinterest boards.

Learnt to love negative feedback

Not everyone will like your work. So you shouldn’t revise your book based entirely on one person’s perspective. Gaining different points of views can help pinpoint the areas that need working on. And as hard as it can be, ask yourself: Will addressing the issues make your book better? Sometimes accepting the truth hurts, but that’s how we grow and learn. So remember to thank your beta readers, and embrace their feedback.

Return the Favour

Offer to work in tandem with your BETA reader. Or consider returning the favour at a later date. By reading someone else’s work you can gain experience at reading with a critical eye. This will be invaluable when editing your own WIP.

I want to say a huge warm thanks to Ari for agreeing to beta read my first novel, her feedback so far has been fantastic. You can read Ari’s previous guest blog post Here.

Thanks for reading my post. Do you have any tips on working with beta readers? If so, please share.

Author Lorraine Ambers Web-Banner YA fantasy book review romance

 © Author Lorraine Ambers and http://www.lorraineambers.com, 2016.

 

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#Editing – Removing crutch words

In the last #Editing blog we looked into Developing characters, if you missed it why not take a look. Next time we’ll be delving into emotional beats.

The first draft of my YA fantasy novel was finished. I’d succeeded in writing the story, working towards The End, scene by scene, until the book was complete.

Yay! It’s a fantastic feeling. An accomplishment of hard work, creativity and a dash of doubt.

If you’re working towards that goal, keep going, you can do it.

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So, what happens once you reach the finish line? It’s time to edit, revise, cut, add and alter your first draft. Working it until it’s the master piece it deserves to be.

Today I’m highlighting crutch words. Or in my case, an over use of body parts. How many times did I write heart, lips or eyes in that piece?

I’m talking about particular words that you’ve peppered your page with. You’ll being to notice the words you rely on. With diligence you can begin to remove them from your work.

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Edit out crutch words. Jot down a list of your culprits and search your document, preening them out. Try rewriting the sentence using different words? Ask yourself; do the words adding any meaning to the sentence? Will its removal, alter the story? Can the crutch word be replaced with an alternative description? Eliminating the obvious eyes sores before our readers identify them.

#TIP. Word document has a Find tool that searches and highlights them in your manuscript. Making it easy to alter or remove.

Air caution, when using the thesaurus. While its function is invaluable to us authors, it runs the risk of stripping our unique voice from the story. I must admit to replacing a word for a recommended substitute and losing the original meaning by not understanding the definition.

Hey!! I’m a creator of worlds, not a master literary knowledge. (Perhaps one day I’ll be both.)

My last tip is to read your work aloud. We’re often too close to our work to see fault. But by sounding out the writing, our brains have the ability to process the information, thus picking up on the crutch words. I find that reading out to my critique group gives me extra awareness. I’m guaranteed to find at least one more, even after a thorough edit.

An editor will spot these for you. Unfortunately, they won’t do the revision for you.

Yes, it’s tedious and hard work but with persistence your writing will improve.

What is your main crutch word? Don’t be shy. I love it when you share your thoughts and opinions.